Real Book Drum Transcriptions - The attempt of an educational resource - Newest transcription: "All of Me" by drummer Ed Thigpen
- Thread starter Timo-Germany
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Timo-Germany
Member
Thank you so much for your positive feedback on my YouTube channel! I really appreciate your support and I'll do my best to keep delivering great content.Great stuff - keep them coming!
Timo-Germany
Member
Hello everyone,
how many of you have played "Black Orpheus" only as Bossa Nova?
The song "Manhã de Carnaval", composed by Luiz Bonfá and Antônio Maria, was made famous by the 1959 film of the same name by Marcel Camus. Many are probably more familiar with the song as "Black Orpheus," and most of us are probably most familiar with it as a bossa nova. But in the first instrumental jazz recording of the song, recorded in 1961 by Wayne Shorter for his album "Wayning Moments," "Black Orpheus" meets us as a swing piece, contrary to its Brazilian roots and the usual expectations. This Wayne Shorter album features an excellent lineup, with Marshall Thompson on drums. Marshall Thompson's swinging interpretation of "Black Orpheus" (or "Manhã de Carnaval") first with brushes, then with sticks, is really worth listening to.
If you like the video, I would greatly appreciate your support by giving it a thumbs up and sharing it and please don't forget to subscribe to my channel.
Thanks a lot!
how many of you have played "Black Orpheus" only as Bossa Nova?
The song "Manhã de Carnaval", composed by Luiz Bonfá and Antônio Maria, was made famous by the 1959 film of the same name by Marcel Camus. Many are probably more familiar with the song as "Black Orpheus," and most of us are probably most familiar with it as a bossa nova. But in the first instrumental jazz recording of the song, recorded in 1961 by Wayne Shorter for his album "Wayning Moments," "Black Orpheus" meets us as a swing piece, contrary to its Brazilian roots and the usual expectations. This Wayne Shorter album features an excellent lineup, with Marshall Thompson on drums. Marshall Thompson's swinging interpretation of "Black Orpheus" (or "Manhã de Carnaval") first with brushes, then with sticks, is really worth listening to.
If you like the video, I would greatly appreciate your support by giving it a thumbs up and sharing it and please don't forget to subscribe to my channel.
Thanks a lot!
Timo-Germany
Member
Thank you so much, but you can believe me, I am not stalking you! Your support and encouragement mean a lot to me, and I sincerely appreciate it. Thank you again, my friend!
Your support and encouragement mean a lot to me, and I sincerely appreciate it. Thank you again, my friend!
Timo-Germany
Member
Hello dear community,
my "Real Book Drumming" YouTube series has grown.
Dive with me into the atmospheric world of Shelly Manne's drumming for the first 1.48 minutes and experience "Summertime" in an unfamiliar guise. Originally composed by George Gershwin, this interpretation by the legendary Shelly Manne comes from his album "Shelly Manne & His Men at The Black Hawk" recorded in 1959.
This "Summertime" version by Shelly Manne is no ordinary swing, bossa or pop number. It is a captivating musical experience that perfectly captures the essence of a hot summer day. Shelly Manne's exceptional musicianship, unerring sense of timing, nuanced dynamics and inventive drumming style give this rendition of "Summertime" a depth and spice that leaves you wanting more.
I have to say, it wasn't easy to transcribe. Some things are more of an interpretation, as the recording doesn't always represent Shelly Mann's playing in all clarity. I hope you still like it.
I sincerely thank you for watching! Please do leave a like and a free subscription on my YouTube channel, it would help me a lot!
my "Real Book Drumming" YouTube series has grown.
Dive with me into the atmospheric world of Shelly Manne's drumming for the first 1.48 minutes and experience "Summertime" in an unfamiliar guise. Originally composed by George Gershwin, this interpretation by the legendary Shelly Manne comes from his album "Shelly Manne & His Men at The Black Hawk" recorded in 1959.
This "Summertime" version by Shelly Manne is no ordinary swing, bossa or pop number. It is a captivating musical experience that perfectly captures the essence of a hot summer day. Shelly Manne's exceptional musicianship, unerring sense of timing, nuanced dynamics and inventive drumming style give this rendition of "Summertime" a depth and spice that leaves you wanting more.
I have to say, it wasn't easy to transcribe. Some things are more of an interpretation, as the recording doesn't always represent Shelly Mann's playing in all clarity. I hope you still like it.
I sincerely thank you for watching! Please do leave a like and a free subscription on my YouTube channel, it would help me a lot!
Timo-Germany
Member
Hello dear community,
Please check out my latest video on my educational YouTubeseries "Real Book Drumming"!
In this video I play and show you the first 68 bars of the classic "St. Thomas". Originally played by the legendary Sonny Rollins on his 1956 album "Saxophone Colossus" together with the brilliant drummer Max Roach, it is a true gem for all jazz fans!
"St. Thomas" boasts a Caribbean-inspired vibe, with Max Roach's driving, syncopated groove laying down the rhythmic foundation. The drums play a pivotal role in infusing the song with that irresistible Caribbean flair and boundless energy. Max Roach's brilliant use of binary and ternary feels, making the groove here truly special!
Don't miss out on this opportunity to learn from the masters and elevate your drumming skills! Hit that "Like" button, subscribe to my channel, and join me on this musical journey!
I sincerely thank you for watching! Please do leave a like and a free subscription on my YouTube channel, it would help me a lot!
Please check out my latest video on my educational YouTubeseries "Real Book Drumming"!
In this video I play and show you the first 68 bars of the classic "St. Thomas". Originally played by the legendary Sonny Rollins on his 1956 album "Saxophone Colossus" together with the brilliant drummer Max Roach, it is a true gem for all jazz fans!
"St. Thomas" boasts a Caribbean-inspired vibe, with Max Roach's driving, syncopated groove laying down the rhythmic foundation. The drums play a pivotal role in infusing the song with that irresistible Caribbean flair and boundless energy. Max Roach's brilliant use of binary and ternary feels, making the groove here truly special!
Don't miss out on this opportunity to learn from the masters and elevate your drumming skills! Hit that "Like" button, subscribe to my channel, and join me on this musical journey!
I sincerely thank you for watching! Please do leave a like and a free subscription on my YouTube channel, it would help me a lot!
Drumdame
Silver Member
By far this is my very favorite video! Awesome Caribbean Flair... effetless. Keep 'em comin'!Hello dear community,
Please check out my latest video on my educational YouTubeseries "Real Book Drumming"!
In this video I play and show you the first 68 bars of the classic "St. Thomas". Originally played by the legendary Sonny Rollins on his 1956 album "Saxophone Colossus" together with the brilliant drummer Max Roach, it is a true gem for all jazz fans!
"St. Thomas" boasts a Caribbean-inspired vibe, with Max Roach's driving, syncopated groove laying down the rhythmic foundation. The drums play a pivotal role in infusing the song with that irresistible Caribbean flair and boundless energy. Max Roach's brilliant use of binary and ternary feels, making the groove here truly special!
Don't miss out on this opportunity to learn from the masters and elevate your drumming skills! Hit that "Like" button, subscribe to my channel, and join me on this musical journey!
I sincerely thank you for watching! Please do leave a like and a free subscription on my YouTube channel, it would help me a lot!
Drummer_D
Timo-Germany
Member
Hello dear drumming community,
please check out my latest YouTube video for my YouTube series "Real Book Drumming"!
In this video I present a performance and drum transcription of the first 3 minutes (without the guitar intro) of the jazz standard "This Masquerade", by George Benson from his 1976 recorded album "Breezin'" with drummer Harvey Mason.
"This Masquerade" is composed by Leon Russell and appeared on George Benson's 1976 album "Breezin'," among others. "This Masquerade" features soulful vocals, a funky bass line and the sophisticated drumming of Harvey Mason. Mason's drumming, which forms the backbone of the song, creates a distinct sense of groove and playfulness that perfectly complements Benson's vocals and the band's overall sound.
Mason's drumming in "This Masquerade" is a testament to a masterful sense of groove. With his dynamic playing, he varies the volume and intensity to create moments of drama and tension in the song. With precision and creativity, Mason's drumming provides a steady presence without overshadowing the other elements.
Essentially, Harvey Mason's drumming on "This Masquerade" embodies the art of smooth jazz drumming. His ability to find the right balance between tension and restraint speaks to his skill and creativity. The drumming contributes greatly to the overall mood and texture of the song and solidifies Mason's as a standout track on the "Breezin'" album.
please check out my latest YouTube video for my YouTube series "Real Book Drumming"!
In this video I present a performance and drum transcription of the first 3 minutes (without the guitar intro) of the jazz standard "This Masquerade", by George Benson from his 1976 recorded album "Breezin'" with drummer Harvey Mason.
"This Masquerade" is composed by Leon Russell and appeared on George Benson's 1976 album "Breezin'," among others. "This Masquerade" features soulful vocals, a funky bass line and the sophisticated drumming of Harvey Mason. Mason's drumming, which forms the backbone of the song, creates a distinct sense of groove and playfulness that perfectly complements Benson's vocals and the band's overall sound.
Mason's drumming in "This Masquerade" is a testament to a masterful sense of groove. With his dynamic playing, he varies the volume and intensity to create moments of drama and tension in the song. With precision and creativity, Mason's drumming provides a steady presence without overshadowing the other elements.
Essentially, Harvey Mason's drumming on "This Masquerade" embodies the art of smooth jazz drumming. His ability to find the right balance between tension and restraint speaks to his skill and creativity. The drumming contributes greatly to the overall mood and texture of the song and solidifies Mason's as a standout track on the "Breezin'" album.
Timo-Germany
Member
Dear Community,
my educational jazz series has a new video.
In this video I present a complete drum transcription of the jazz standard "Killer Joe" as performed by the Art Farmer & Benny Golson Jazztet on their 1960 recorded album "Meet the Jazztet" with drummer Lex Humphries.
"Killer Joe" is a good song for beginning jazz players, mainly for the following reasons:
- The swing pattern is played almost the entire way through, there are no comping figures or variations except for a few short fill-ins and accents.
- This version has a moderate tempo of 110bm.
- The song format is AABA, with eight bars per verse and eight bars per bridge. This is a typical form for jazz standards, which can help beginners become familiar with this common structure.
- In addition, "Killer Joe" is a jazz classic that has been played by many famous drummers, including Lex Humphries, Art Blakey, and Max Roach.
Humphries was an influential drummer who played with some of the biggest names in jazz, including John Coltrane, Freddie Hubbard, Wes Montgomery and McCoy Tyner. On "Killer Joe" he demonstrates his ability to create a driving groove that propels the music.
If you like the video and find it helpful, I would greatly appreciate a thumbs up and a free subscription to my channel. Thanks a lot!
Thank you so much for your support! The sheet music for this transcription is available for free download exclusively for members on my website www.deinschlagzeuglehrer.de.
my educational jazz series has a new video.
In this video I present a complete drum transcription of the jazz standard "Killer Joe" as performed by the Art Farmer & Benny Golson Jazztet on their 1960 recorded album "Meet the Jazztet" with drummer Lex Humphries.
"Killer Joe" is a good song for beginning jazz players, mainly for the following reasons:
- The swing pattern is played almost the entire way through, there are no comping figures or variations except for a few short fill-ins and accents.
- This version has a moderate tempo of 110bm.
- The song format is AABA, with eight bars per verse and eight bars per bridge. This is a typical form for jazz standards, which can help beginners become familiar with this common structure.
- In addition, "Killer Joe" is a jazz classic that has been played by many famous drummers, including Lex Humphries, Art Blakey, and Max Roach.
Humphries was an influential drummer who played with some of the biggest names in jazz, including John Coltrane, Freddie Hubbard, Wes Montgomery and McCoy Tyner. On "Killer Joe" he demonstrates his ability to create a driving groove that propels the music.
If you like the video and find it helpful, I would greatly appreciate a thumbs up and a free subscription to my channel. Thanks a lot!
Thank you so much for your support! The sheet music for this transcription is available for free download exclusively for members on my website www.deinschlagzeuglehrer.de.
Timo-Germany
Member
@Huw Owens: You're welcome! I'm glad you're enjoying the thread. Thank you so much!
jazzerooty
Junior Member
You're doing a fine job with those transcriptions. Keep it up.
Timo-Germany
Member
Thank you so much, that means a lot to me! Do you have any suggestions for upcoming transcriptions?
Drumdame
Silver Member
I was checking out your YouTube channel and it is very interesting although I don't know how to read music at all. But my favorite out of all the songs I listened to was the one I posted below. Great channel, Great control, Great job! I enjoyed it very much.
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Timo-Germany
Member
Thank you so much for your kind words! I'm really glad you enjoyed my YouTube channel and my drumming. I try to make my videos as enjoyable as possible for everyone, regardless of their musical background. I really appreciate your support. It means a lot to me.
Timo-Germany
Member
Dear Community,
my educational "Real Book Drumming" YouTube series has a new video.
In this video, I present a performance and drum transcription of the first 40 measures of the jazz standard "Satin Doll". This version is by trombonist J. J. Johnson and was recorded for his album "A Touch of Satin" on the days of December 15 and 21, 1960 and January 12, 1961 in New York City. Louis Hayes was the drummer for this session.
"Satin Doll" is a jazz standard written by Duke Ellington and Billy Strayhorn in 1953. Louis Hayes' partnership with J.J. Johnson was a crucial part of Hayes' career. "A Touch of Satin" demonstrates their remarkable musical chemistry. Louis Hayes' drumming style is characterized by his perfect timekeeping, versatility and ability to adapt to different musical situations.
Thank you for watching! Feel free to leave me feedback!
my educational "Real Book Drumming" YouTube series has a new video.
In this video, I present a performance and drum transcription of the first 40 measures of the jazz standard "Satin Doll". This version is by trombonist J. J. Johnson and was recorded for his album "A Touch of Satin" on the days of December 15 and 21, 1960 and January 12, 1961 in New York City. Louis Hayes was the drummer for this session.
"Satin Doll" is a jazz standard written by Duke Ellington and Billy Strayhorn in 1953. Louis Hayes' partnership with J.J. Johnson was a crucial part of Hayes' career. "A Touch of Satin" demonstrates their remarkable musical chemistry. Louis Hayes' drumming style is characterized by his perfect timekeeping, versatility and ability to adapt to different musical situations.
Thank you for watching! Feel free to leave me feedback!
Drumdame
Silver Member
I love watching your videos... you never cease to amaze me with your talent of knowing how to read music and to play exactly what you're reading. Great job!... looking forward to your next video. Thank you for entertaining us!
Timo-Germany
Member
@Drumdame: Thank you so much for your incredibly kind words! I really appreciate your support and am thrilled to hear that you like my drum videos. It means a lot to me to know that my passion for drumming resonates with you. I'm currently working on my next video and can't wait to share it with you. Thanks again for watching and for being a part of this musical journey with me! 
Timo-Germany
Member
Dear Community,
my "Real Book Drumming" YouTube series has a new video.
In this video I present a complete drum transcription of the jazz standard "All of Me". "All of Me" is a jazz standard written in 1931 by Gerald Marks and Seymour Simons. This version is by the Oscar Peterson Trio and was recorded on May 18, 1959 for the album "A Jazz Portrait of Frank Sinatra". Ed Thigpen was the drummer on this session.
Ed Thigpen's drumming on "All of Me" is a lesson in swing. He provides a light accompaniment to Peterson's piano playing that never overpowers the soloist, but always provides a solid foundation for his improvisations. Thigpen's use of brushes and cymbals is particularly effective, creating a delicate texture that perfectly complements the song's melody. He gives Peterson plenty of room for his improvisations and never fills up the space with unnecessary frills. Overall, Ed Thigpen's drumming on "All of Me" is a textbook example of how to play swing drums with taste and finesse.
The accompanying transcriptions are available for free download to subscribers of my site www.deinschlagzeuglehrer.de.
Thank you for your attention!
my "Real Book Drumming" YouTube series has a new video.
In this video I present a complete drum transcription of the jazz standard "All of Me". "All of Me" is a jazz standard written in 1931 by Gerald Marks and Seymour Simons. This version is by the Oscar Peterson Trio and was recorded on May 18, 1959 for the album "A Jazz Portrait of Frank Sinatra". Ed Thigpen was the drummer on this session.
Ed Thigpen's drumming on "All of Me" is a lesson in swing. He provides a light accompaniment to Peterson's piano playing that never overpowers the soloist, but always provides a solid foundation for his improvisations. Thigpen's use of brushes and cymbals is particularly effective, creating a delicate texture that perfectly complements the song's melody. He gives Peterson plenty of room for his improvisations and never fills up the space with unnecessary frills. Overall, Ed Thigpen's drumming on "All of Me" is a textbook example of how to play swing drums with taste and finesse.
The accompanying transcriptions are available for free download to subscribers of my site www.deinschlagzeuglehrer.de.
Thank you for your attention!