Hewitt2
Senior Member
Which 1-3 exercises in your routine are so versatile they can be adapted to whatever you are practicing at a given point in time?
Here are a few of mine that I have been using for years that are easily adaptable to whatever I am focusing on (speed, control, endurance, coordination, etc.). I never get bored using them and continue to learn more about my capabilities and opportunities to improve when I revisit them:
- Stone’s Stick Control, especially the first 3 pages . Exercises 5-8 (the paradise variations) provide endless fodder for accents and groove ideas.
- Morello’s Stone Killers from his Master Studies book. Extremely simple exercise but so amazing! I’ve used them for hand/foot speed, endurance, developing ostinatos, and improving my touch and tone on drums and cymbals.
- Dom Famularo’s Free Stroke exercise from his It’s Your Move book. Very similar in concept to Stone Killers…. I move it around on different surfaces, change up the speed, add in my feet, etc. as a barometer to ensure consistent dynamics between my hands. Having a full and confident free stroke to me is so foundational to knowing how to use (versus rely on) rebound to optimize my touch, conserve energy, and sound great.
What about you guys?
Here are a few of mine that I have been using for years that are easily adaptable to whatever I am focusing on (speed, control, endurance, coordination, etc.). I never get bored using them and continue to learn more about my capabilities and opportunities to improve when I revisit them:
- Stone’s Stick Control, especially the first 3 pages . Exercises 5-8 (the paradise variations) provide endless fodder for accents and groove ideas.
- Morello’s Stone Killers from his Master Studies book. Extremely simple exercise but so amazing! I’ve used them for hand/foot speed, endurance, developing ostinatos, and improving my touch and tone on drums and cymbals.
- Dom Famularo’s Free Stroke exercise from his It’s Your Move book. Very similar in concept to Stone Killers…. I move it around on different surfaces, change up the speed, add in my feet, etc. as a barometer to ensure consistent dynamics between my hands. Having a full and confident free stroke to me is so foundational to knowing how to use (versus rely on) rebound to optimize my touch, conserve energy, and sound great.
What about you guys?