I have a 12 inch Remo tunable pad but use it very little. Just doesn't feel like a drum. Was hoping the vacuum pad placed on a real snare drum would feel more natural. Guess the only way to find out id buy one and give it a try.I sampled one many, many years ago and don't recall being drawn to it, nor was I repulsed. It looks as though it can also be suctioned to a snare head. I presume that would give you a muted effect with plenty of bounce while maintaining a modicum of authentic sound.
I've never been a fan of rubber pads. For instance, the Evans Real Feel, which is very popular, has never done it for me. I've always used a classic Remo pad, which has a tunable (more like adjustable) head. It sounds and feels more percussive to me than a rubber pad. I guess I also have a sentimental attachment to it.
I'm a big proponent of practice-pad sessions. Life is much simpler when you've got your rudiments down.
I have a 12 inch Remo tunable pad but use it very little. Just doesn't feel like a drum. Was hoping the vacuum pad placed on a real snare drum would feel more natural. Guess the only way to find out id buy one and give it a try.
I can't tell you how many cymbals, drums, hardware etc. I've bought online only to find I didn't like it then resold at a loss. I'll let you know if I get one of those vacuum pads.I know what you mean. A lot of guys dislike Remo pads. It's what I started taking lessons on many years ago, so it's mostly a matter of tradition with me.
Really, the vacuum pad looks curiously versatile. Give it a try. If you hate it, it's just a pad, not a $400.00 set of hi-hats. Getting those and hating them would be quite a predicament.
I feel like all I'm doing here right now is sharing this guy's videos but so be it.
I like Sabian's Quiet Tone but there are lots of other models I haven't tried yet.
Problem with the Remos is really their volume.
That's only a problem if you're seeking silent practice; it's a plus if you're not. The Remo pad is advantageously unforgiving in its feedback. If your strokes lack evenness (for instance, when you're practicing a pattern from "Stick Control for the Snare Drummer"), the Remo pad screams at you. Rubber pads, on the contrary, are mostly muted, allowing you to slip by with slovenly execution. You can still rely upon feel to assess your strokes, which is a valid approach, but some rubber pads lack auditory communication. So yeah, if you're practicing at midnight while others in your home are sleeping, the Remo pad can be a nuisance. Otherwise, I see its volume as its greatest asset.
That's another reason the Xymox is the best of both worlds for me. Very different price, though.