T
trkdrmr
Guest
I thought I would address something I remember from history. (I was around then too...)
After recording some landmark albums with his Tama superstar, Peart moved to artstar (briefly), and then to Ludwig and then DW*.
Since you are restoring the superstars: What are your thoughts on the sound vs today's drums (like starclassic?)
I have always disliked industry "trends" and I think that the differences/advantages have been overstated, especially when microphones and recordings are thrown into the equation. Note that many drum companies (especially sonor) are once again offering heavy or "stadium" shells.
Superstar comments?
Thanks...!
*These seem like "money" moves to me. I remember a LOT of faithful Peart followers boiling mad when he switched.
After recording some landmark albums with his Tama superstar, Peart moved to artstar (briefly), and then to Ludwig and then DW*.
Since you are restoring the superstars: What are your thoughts on the sound vs today's drums (like starclassic?)
I have always disliked industry "trends" and I think that the differences/advantages have been overstated, especially when microphones and recordings are thrown into the equation. Note that many drum companies (especially sonor) are once again offering heavy or "stadium" shells.
Superstar comments?
Thanks...!
*These seem like "money" moves to me. I remember a LOT of faithful Peart followers boiling mad when he switched.