|
The longtime drummer for The Band, Levon Helm wore many musical hats throughout his long career, including multi-instrumentalist, songwriter, singer, impressario, studio owner, studio engineer and producer. He grew up working on a farm in Arkansas; his first instrument was guitar, which he began playing at ag eight, but after seeing the F.S. Walcott Rabbits Foot Minstrels, he decided to switch to drums. As a youth, Helm listened to the music of the area, including radio broadcasts of the Grand Ole Opry and the blues and R&B shows on WLAC, a clear-channel station out of Nashville that became legendary in the development of rhythm & blues and early rock & roll. Accompanied by his sister Linda on washboard bass, he played various fairs and civic club shows until forming his first group, the Jungle Bush Beaters, while in high school.
After seeing an Elvis Presley concert, Helm became keenly interested in rock & roll and musicians like Bo Diddley. Eventually, he moved to Memphis, where he began sitting in with Conway Twitty. Later, he was discovered by a fellow Arkansan, rockabilly singer Ronnie Hawkins, who asked the 17-year-old Helm to join the Hawks, his backing band. The group soon relocated to Toronto, where they'd heard there was a burgeoning scene for their kind of music. In 1959, Hawkins signed to Roulette Records, where he and the Hawks cut a pair of hit records right out of the gate as "Forty Days" and "Mary Lou," which went on to sell in excess of 700,000 copies.
In the early '60s in Toronto, Helm and Hawkins recruited the rest of the members of the group that would become the Band, adding guitarist Robbie Robertson, pianist Richard Manuel, organist Garth Hudson and bassist Rick Danko to the lineup. After numerous road trips with Hawkins, the group grew tired of the singer's abrasive manner, and they reformed as Levon and the Hawks, later changing their name to the Canadian Squires for the purpose of recording two singles. Shortly after, they changed their name back to the Hawks. In the mid-'60s, Bob Dylan, decided to electrify his sound, and wanted the Hawks to be his backing band. After putting up with too many boos at Dylan's newly electrified shows in 1965, Helm decided he'd had enough, and went back to Arkansas, thinking he would leave the music business behind him forever.
But Helm returned to action in mid-1967, where the Hawks (since renamed simply the Band) began working on Music From Big Pink, the first in a string of classic records which made them one of rock's most legendary acts. After the Band's famed 1976 farewell performance, dubbed The Last Waltz, he cut his 1977 debut solo album Levon Helm and the RCO All Stars, followed a year later by his self-titled sophomore effort. In 1980 he recorded American Son, while another eponymously-titled effort was released in 1982. The Band reformed in 1983 without Robertson; following Manuel's 1986 suicide, the remaining trio released 1993's Jericho, recorded at Helm's home studio in Woodstock, New York. That same year, Helm published his autobiography, This Wheel's on Fire, co-authored with Stephen Davis. The Band's bluesy High on the Hog followed in 1996 and Jubilation in 1998. The late '90s (and into the next decade) found Helm still making music in a new blues band called Levon Helm and the Barn Burners, with his daughter Amy on keyboards and vocals, guitarist Pat O'Shea, lead vocalist and harmonica player Chris O'Leary and upright bassist Frankie Ingrao.
|
